Usually, we realize our mistake fairly quickly, often because the person that the red herring caused
us to suspect is bumped off; and so we turn our attention to another SUSPECT.Probably
about half a dozen SUSPECTS is the ideal number, all of whom should at the
outset appear to have had the motive, means and opportunity to commit the crimes. The
author must play fair with his or her readers.A good murder mystery story should intrigue
us, baffle us, keep us guessing to the very last few pages and ultimately leave
us feeling that we have enjoyed every minute and are eager for the next one.Free
Murder Mystery GamesIf you fancy yourself as a Sherlock Holmes, miss Marple, or Hercule Poirot,
just click on the following link to get sleuthing.Online murder mystery gamesHello I'm Mary and
I'm a sixty something grandmother and the most important thing in my life is my
family, nothing else comes close.I am a member of a Scrabble club, which meets at
least once a week, and I am director of the local amateur dramatic society.I enjoy
all sorts of literature and Dickens, the Brontes and (particularly) Jane Austen are among the
esteemed names, which line my bookshelves, but I tn requin have a particular liking for murder mysteries,
in particular the wonderful novels of Agatha Christie. And on the rare occasions when our
deductive skills actually enable us to arrive at the correct solution the satisfaction is immense,
we are super sleuths!So what are some of the basic components that make for a
perfect whodunit? Firstly and very obviously, there has to be MURDER, at least one but
preferably at least three. By the end of the story, we may quite often feel
confident that we have spotted the villain of the piece (It was Miss Scarlet with
the Rope in the Conservatory!) only to find that yet again, the wool has been
pulled over our eyes and it was in fact Colonel Mustard with the Dagger in
the Billiard Room. Usually we have eliminated (rightly or wrongly) all but a couple by
the end of the book, at which time the DETECTIVE will reveal what really happened.As
we know, DETECTIVES, in murder mystery fiction can be either male or female and come
in all shapes, sizes, nationalities, ages and personalities. There are the physical clues - items
discovered at the scene of the crime, significant documents found in the victim's personal effects,
muddy Tn Requin shoe prints, lipstick traces on a wine glass, a recent cut on someone's wrist
- the list is endless. Unless of course one or more of them is a
RED HERRINGS.The RED HERRING is a legitimate ploy used by the writers of murder mysteries
to get us looking in all the wrong places, and it very often succeeds. Depending
on the storyline, these may be by the same method (as with a serial killer)
or with completely different weapons and scenarios. Has this man contradicted a previous statement? Did
this woman lie about her relationship with the dead man? All small pieces of the
jigsaw; which when placed together make the complete picture. They can be professionals or gifted
amateurs, but they all have one thing in common - they always get their man
(or woman.) They must be well nigh infallible. If we feel we haven't been given
all the facts, if some character is introduced late in the story and turns out
to be the guilty one or if the villain does not receive appropriate justice, then
we are left feeling cheated. And there are the clues that can be picked up
by the crime solver by, say, listening to what the protagonist say. When they point
out the significance of some object or remark that has been encountered during the course
of the case, we should think 'Of course, why didn't I see that?' And although
we probably didn't see it coming, the ENDING should be SATISFACTORY.And it is a SATISFACTORY
ENDING that keeps us coming back for more. The latter is possibly the more interesting,
because although the murderer may use different ways of killing, the type of crime should
be the same (opportunist or well thought out, for instance) This should enable us to
deduce the personality traits of the murderer (always remembering that he or she may well
be masking their true nature) and this knowledge is a CLUE to the identity of
the guilty party.CLUES are a vital element of a murder mystery. A first rate murder
mystery story requires the skillful blending of all the essential ingredients necessary to produce a
tale which will keep us eagerly turning the page right up the final denouement. So
much so, I have my own website dedicated to the queen of crime (see following
link)Agatha ChristieI am also very interested in anything to do with the fascinating world of
Forensic Science..
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